晒伤之愈 / Aftersun (2022)
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制片国家/地区：
西班牙上映日期：
剧情简介：
2022西班牙电影《晒伤之愈》由Lluís Galter导演，Àlex Moreu主演，影片讲述的是：
On an overcrowded summer seaside campsite a trio of teenage girls spy on a depressed seasonal worker who dresses up as a bear – the campsite’s mascot Their imagination fuelled by a chilling story of a child abduction that took place a few decades earlier leads them to believe there is something fishy about him In a heady mix of documentary exploration rite of passage detective story and fairy tale Lluís Galter mixes narrative registers to build a singular seductive uneasy film set against the backdrop of the torpor of summer Spying through windows ears glued to doors urgently exploring empty spaces sometimes a voyeur sometimes a sleuth the eye of the camera casts confusion on the relatively innocent motifs of the holiday imagery of campsites overshadowed by the spectre of child abductions Endofday showers beach sessions card games… doubling the disquieting strangeness of this succession of motifs the skintingling workmanship of the DV Pal delights as it brushes against tanned bodies merges bare legs and tall grass and drowns the nocturnal silhouette of a lost child in its pixels We hear Debussy’s Prélude à l’aprèsmidi d’un faune which makes everything seem enchanted until it is abruptly interrupted by frantic shouts from the campsite pool The swampy surroundings are an invitation to nighttime outings that turn into an exploration of a hostile jungle The cry of an American bittern turns into the disturbing lament of ghosts buried in the sands where the missing boy is eventually found Aftersun’s synaesthetic fragmented plot is like a child’s dream after a long day on holiday where discoveries about adult sex lives are intertwined with naivety games and rumours – from crime stories to local legends It’s a strange organic journey where stories overlap and teenagers with vivid imaginations let go of their childhood via a scaremongering game
源自：
On an overcrowded summer seaside campsite a trio of teenage girls spy on a depressed seasonal worker who dresses up as a bear – the campsite’s mascot Their imagination fuelled by a chilling story of a child abduction that took place a few decades earlier leads them to believe there is something fishy about him In a heady mix of documentary exploration rite of passage detective story and fairy tale Lluís Galter mixes narrative registers to build a singular seductive uneasy film set against the backdrop of the torpor of summer Spying through windows ears glued to doors urgently exploring empty spaces sometimes a voyeur sometimes a sleuth the eye of the camera casts confusion on the relatively innocent motifs of the holiday imagery of campsites overshadowed by the spectre of child abductions Endofday showers beach sessions card games… doubling the disquieting strangeness of this succession of motifs the skintingling workmanship of the DV Pal delights as it brushes against tanned bodies merges bare legs and tall grass and drowns the nocturnal silhouette of a lost child in its pixels We hear Debussy’s Prélude à l’aprèsmidi d’un faune which makes everything seem enchanted until it is abruptly interrupted by frantic shouts from the campsite pool The swampy surroundings are an invitation to nighttime outings that turn into an exploration of a hostile jungle The cry of an American bittern turns into the disturbing lament of ghosts buried in the sands where the missing boy is eventually found Aftersun’s synaesthetic fragmented plot is like a child’s dream after a long day on holiday where discoveries about adult sex lives are intertwined with naivety games and rumours – from crime stories to local legends It’s a strange organic journey where stories overlap and teenagers with vivid imaginations let go of their childhood via a scaremongering game
源自：
