街市风景：主义篇 / Bickels: Socialism (2017)
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又名：
The Streetscapes Series – Chapter II
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剧情简介：
2017德国纪录片《街市风景：主义篇》由海因茨·艾米高斯导演，影片讲述的是：
The ‘Casa do Povo’ cultural centre in São Paulo an icon of the secular Jewish workers’ movement a crumbling theatre flanked by staircases entryways and corridors Construction noise drones away in the background clinking crockery a broom sweeping over tiled floors an expressive façade of countless adjustable panes of glass covered by a patina It’s October 2016 and a group of young people are preparing a preview of Bickels Socialism The venue is to form a prologue to the completed film which tours 22 buildings in Israel designed by Samuel Bickels most of which for kibbutzim Dining halls children’s houses agricultural buildings bright structures inserted into the Mediterranean landscape with great ingenuity An architecture with a sellby date That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody
Paintings by Jewish artist Meir Axelrod from the Crimea in the 1930s form the epilogue It tells the tragic story of the Vio Nova kibbutz which first foundered under the British Mandate in Palestine and later fell victim to Stalinism before being liquidated entirely under the German occupation
The ‘Casa do Povo’ cultural centre in São Paulo an icon of the secular Jewish workers’ movement a crumbling theatre flanked by staircases entryways and corridors Construction noise drones away in the background clinking crockery a broom sweeping over tiled floors an expressive façade of countless adjustable panes of glass covered by a patina It’s October 2016 and a group of young people are preparing a preview of Bickels Socialism The venue is to form a prologue to the completed film which tours 22 buildings in Israel designed by Samuel Bickels most of which for kibbutzim Dining halls children’s houses agricultural buildings bright structures inserted into the Mediterranean landscape with great ingenuity An architecture with a sellby date That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody
Paintings by Jewish artist Meir Axelrod from the Crimea in the 1930s form the epilogue It tells the tragic story of the Vio Nova kibbutz which first foundered under the British Mandate in Palestine and later fell victim to Stalinism before being liquidated entirely under the German occupation
